Its pattern is faded, its edges are tattered
and its fibers are torn flesh from bone—
it breathes on, but only so to shame me.
I have wept on that rug, bled on that rug,
loved on that rug and died on that rug,
I have worn holes through it with my kneeling—
its suffering continues to shame me.
Woven of silk and darned with cotton
then fringed with sound and rhythm,
its warp is of hope but its weft is of weeping,
its beauty is perfect, never waning,
but still it lives on just to shame me.
So what am I?
I am ground, I am sky, I am ache, I am why
I am everything and all and nothing;
I am pride, I am breath, I am lift, I am heft
I am broken—because this simple, small rug,
so itself, so patient, taunts on
and continues so to shame me.
The idea of a Covenant, the process by which man relates to God, is an ancient religious idea within the Judeo-Christian-Moslem-Bahá’í tradition. In his masterful work, Wanderings: History of the Jews, Chaim Potok even describes an ancient Hittite idolatry covenant, showing how ubiquitous the concept was in the ancient world.
To me, the burning question is, “What exactly is the Covenant?” This is a question I still struggle with.
The reference to Andalusia refers to the portion of Spain that was once controlled by Islam during the Middle Ages and early Renaissance and which was renowned in its day as a kingdom of tolerance, knowledge and enlightenment. Being a land where Islam was practiced, small prayer rugs would have been sold and found everywhere.
Thank you for reading And so bound. I sincerely hope you have enjoyed it and I humbly appreciate your visiting the Book of Pain. As always, I look forward to your comments.
© 2012 by John Etheridge; all rights reserved. This poem and accompanying notes are licensed under the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. This applies to all original work found on this site, unless noted otherwise. The attribution claimed under the license is: © 2012 by John Etheridge, https://bookofpain.wordpress.com.