I arranged in the garden, one rock each for the Seven of Tehran.
The first, the most beloved, rained down God’s mercy and
cooled the fired-up throng;
the second, clasping his brother’s corpse to his heart
rooted out their tongues with a poem;
the third in thanks shared sweets with his killer,
while the fourth scorned a rescue that bore the veils of lust and power.
The rest vied for the right to prepare the way, the one each for the other,
and so they died as they lived—united—chimed by a single blow.
But in truth I lied to you,
it was eight rocks I arranged in the garden.
The last was a small, sharp-edged stone,
barbed on the top, cold to the touch
and set deep dark down in the loam.
I dig it up occasionally
to see if it is still there. It always is,
ground no smoother by its journey
but soldiering on as best it can,
trying to be patient, trying to be quiet,
trying to hear the call of its brothers.
This poem was written for the Seven Martyrs of Tehran, a group of prominent Bábis who were executed in Tehran, Iran, in February 1850. (The Bábi Faith was a precursor to, and evolved into, the Bahá’í Faith.) Their story is steeped in tragedy and beauty, and is remembered with great love and gratitude by the Bahá’í Faith today.
The seven heroes died fearlessly, willingly, content that their self-sacrifice was the noblest act they could perform for their Beloved. In dying, they were both humble in their poise and grateful in their hearts.
The significance of their public sacrifice cannot be overstated: they clearly represented the best that that society had to offer from both the clerical and merchant classes: men, who by the lofty standard of their conduct and the purity of their lives were recognized as outstanding citizens, honest, humble and trustworthy. Such, saw the people that day, were the souls that this new Faith attracted and which the current regime condemned. And while at first the general public were glad—near rabid glad—to see such paragons of wealth and power torn from their lofty heights for their base enjoyment, the demeanor and graciousness of the Seven Martyrs of Tehran soon stole the circus-like atmosphere from the crowd and proved to them what was being lost. The mob then went on to be not just abashed by the executions, but to become sympathetic to the Martyrs and their Cause and angry with those who had set up the spectacle for their gratification. Even one of the executioners was not immune to this effect: he left his post in shame and lived the remainder of his life in remorse for having participated in the act.
Mullá Husayn, another Bábi spiritual hero and martyr, Himself presaged the degree of sacrifice that would be necessary for the new Faith to flourish. Speaking in Tehran He had said, years earlier, “Our duty is to tell everyone about this New day. Many people will die for this Cause in this very city. But that blood will water the Tree of God, will cause it to grow, and shelter all people in every part of the world.”
The Seven Martyrs of Tehran were:
1) Haji Mirza Sayyid ‘Ali, the maternal uncle and guardian of the Báb, Founder of the Bábi Faith.
2) Mirza Qurban-‘Ali Barfurushi, a well-known mystical leader who enjoyed renown throughout Iran and included among his many admirers the mother of the Shah.
3) Haji Mulla Isma‘il Qumi, a trained Islamic cleric who had studied in Qum, Najaf and Karbala;
4) Aqa Sayyid Husayn Turshizi, whose youth, beauty, and demeanor dazzled the Shah’s representative to the executions; Aqa Sayyid Husayn was a mujtahid, an Islamic scholar, who had studied in Khurasan and Najaf and claimed that day the right to discourse with the most learned of the city to establish the truth of the Bábi Faith. He was refused.
5) Haji Muhammad-Taqi Kirmani, a well known Bábi merchant and a close friend to the uncle of the Báb, the first Martyr of the Seven.
6) Aqa Sayyid Murtada Zanjani, also a merchant and a brother of a martyr of another group of spiritual heroes, who died at a fort called Shaykh Tabarsi.
7) Aqa Muhammad-Husayn Maraghi’i (or Tabrizi), a servant of, and close friend to, Haji Mulla Isma‘il Qumi, the third Martyr of the Seven.
Thank you for reading Seven rocks in the garden. I sincerely hope you have enjoyed it and I humbly appreciate your visiting the Book of Pain. As always, I look forward to your comments.
© 2013 by John Etheridge; all rights reserved. This poem and accompanying notes are licensed under the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. This applies to all original work found on this site, unless noted otherwise. The attribution claimed under the license is: © 2013 by John Etheridge, https://bookofpain.wordpress.com.